*1977 | lives and works in New York, US |
New School for Social Research, New York, BA/BFA | |
Columbia University, New York, MFA |
Solo Exhibitions (selected)
2020 | Nancy Littlejohn Fine Art Gallery, Houston, TX |
2019 | hoo hoo hoo, L21 Gallery, Palma de Mallorca, ES |
2018 | but . . . you’re a horse, Produzentengalerie Hamburg, DE cats and potatoes, Gio Marconi Gallery, Milan, IT |
2017 | Tram Pam Pam, Boulder Museum of Contemporary Art, Boulder, US |
2014 | where there’s a wand, there’s a way, Susanne Vielmetter Los Angeles Projects, Culver City, US |
2013 | erry icket, Museum of Contemporary Art Santa Barbara, Santa Barbara, US Sammy, Gio Marconi Gallery, Milan, IT |
2012 | I Surrender, Dear, Contemporary Arts Center, Cincinnati, US |
2011 | S Int N Ho, Susanne Vielmetter Los Angeles Projects, Culver City, US Desaparecido, Zach Feuer Gallery, New York, US |
2010 | Dap (Tizzy), Gio Marconi Gallery, Milan, IT |
2009 | Men Like That, Zach Feuer Gallery, New York, US |
2007 | Love Sick, Andreas Grimm, Munich, DE First Sorrow, Kantor/Feuer Gallery, Los Angeles, US |
2006 | W.A.M. Who Gives A Damn If You Procreate, Grimm/Rosenfeld, New York, US |
2004 | Dasha Shishkin: Drawings and Prints, Grimm|Rosenfeld, Munich, DE |
2002 | On Mistrust and Suspicion of Children, in General, ND Gallery, New York, US |
Group Exhibitions (selected)
2019 | Partial Eclipse, Anton Ginzburg, Dasha Shishkin, Fridman Gallery, New York, US Not All Doors Are The Same, Booth Gallery, New York, US Topor N’est Pas Mort, Galerie Anne Barrault, Paris, FR |
2018 | We Never Sleep, Littlejohn Contemporary Gallery, New York, US USPS, Tibilisi, GE Draw//Serbia, Museum of Contemporary Art Vojvodina, Novi Sad, RS to our fellow artist and poets who are confused about which way to go, Lundgren Gallery, Palma de Mallorca, ES Fugue, Honey Ramka, Brooklyn, US |
2017 | Künstlerbücher für Alles, Museum für moderne Kunst, Bremen, DE |
2016 | Nouveau!, Galerie Anne Barrault, Paris, FR Lucid Dreams, Fridman Gallery, New York, US |
2015 | Out of Place, Monya Rowe Gallery, Saint Augustine, US Jane Corrigan, Meredith James, Gloria Maximo, Dasha Shishkin, Feuer Mesler, New York, US Surface of Revolution, Southampton Arts Center, Southampton, US |
2014 | Word Bites Picture Design Matters Gallery, Los Angeles, US Vintage Violence, Monya Rowe Gallery, New York, US One Torino, organized by Organized by Maurizio Cattelan, Myriam Ben Salah, Marta Papini, IT Imaginary Portraits of Prince Igor, Gallery Met, The Metropolitan Opera, New York, US |
2012 | Gaiety is the Most Outstanding Feature of the Soviet Union: Art from Russia, Saatchi Gallery, London, UK Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University Art Gallery, Rochester, US Dasha Shishkin, Dorota Jurczak, Paula Modersohn-Becker, ph-projects, Berlin, DE Whos Been Here, Bukowskis, Stockholm, SE |
2011 | Monanism, Museum of Old and New Art, Tasmania, AU A Room of Her Own, Lu Magnus, New York, US Publisher Spotlight: LeRoy Neiman Center for Print Studies, Pace Prints, New York, US Taking the Space: Gender and the Figure in Contemporary Art, Schmidt Center Gallery University Galleries, School of the Arts, Florida Atlantic University, Boca Raton, US |
2010 | Living with Art: Collecting Contemporary in Metro New York, Neuberger Museum of Art, Purchase, US Wildly Different Things: New York and Dublin, The Observatory, Dublin, IR The More I Draw, Museum fr Gegenwartskunst, Siegen, DE |
2009 | Embrace, Denver Art Museum, Denver, US A Decade of Contemporary American Printmaking: 1999-2009, Visual Art Center of Academy of Art and Design, Tsinghua University, Beijing, CN |
2008 | Once Upon A Time, ISE Cultural Foundation, New York, US Drawing Now Drawing Then Young Masters Old Masters, Arndt & Partner, Zurich, CH Nightmares & Dreamscapes, Galleria, Alberto Peola Gallery, Turin, IT |
2007 | The Four Horsemen, Galerie Im Regierungsviertel, Turin, IT World Receiver, Hamburger Kunsthalle, Hamburg, DE Panic Room: Works from the Dakis Joannou Collection, Athens, GR Dream & Trauma: Works from the Dakis Joannou Collection, Kunsthalle Wien, AT Automatic, Franklin Parrasch Gallery, New York, US Responds To My Country, Hungarian Cultural Center, New York, US A Muzzle of Bees, 33 Bond Gallery, New York, US Re: Generation – Emerging Women Artists, Smack Mellon Brooklyn, US and The Kentler International Drawing Space, Brooklyn, US Summer 2007, Grimm|Rosenfeld, Munich, DE |
2006 | Hybrid: Anthea Hamilton, Alisa Margolis, Dasha Shishkin, Barbara Wolff, Galerie Wilma Tolksdorf, Frankfurt, DE, Curated by Eva Karcher. HangART-7 Edition 4 – New York Contemporary: Art Times Squared, Hangar-7, Salzburg, AT Goods to Declare, Bezalel Academy, Tel Aviv, IS Summer 2006, Grimm|Rosenfeld, Munich, Germany Liquid Paper-Pure Land, Ratio 3, San Francisco, US This is not a Love Song, Susanne Vielmetter Los Angeles Projects, Culver City, US The Compulsive Line: Etching 1900 to Now, Museum of Modern Art, New York, US Re: Generation, Rutgers University, New Brunswick, US |
2005 | Founders Day, Grimm|Rosenfeld, New York, US Gegenwärtige Geschichtenerzähler, Hamburger Kunsthalle, Hamburg, DE Greater New York 2005, PS1, New York, US The ArtReview 25: Emerging US artists, Phillips, de Pury & Co., New York, US Much Madness is Divinest Sense, Cohan+Leslie, New York, US The Parable Show, Grimm|Rosenfeld, Munich, DE |
2004 | Neiman Gallery, Columbia University, New York, US After Goya, curated by Tomas Daniel, Oliver Kamm/5BE Gallery, New York, US The Day After…, curated by Lital Mehr, Team Gallery, New York, US Hung, Drawn and Quartered, curated by Miriam Katzeff, Black Church Print Studio, Dublin (in association with The New York Society of Etchers), IR GF Gallery New School University, New York, US |
2003 | Brooklyn Fire Proof Gallery, Williamsburg, New York, US’ Pearl Gallery, New York, US RSVP, The Society of Illustrators, New York, US |
2002 | Naked Duck Gallery, Williamsburg, New York, US North East Prints, William Paterson University, US |
2001 | Dam, Stuhltrager Gallery, Williamsburg, US |
1999 | China Art Objects, Los Angeles, US |